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Kleiner 2

Lynn Kleiner Collection P.  1 2 3 4 

 

 CD available

In All Kinds of Weather,
Kids Make Music!

Lesson Plan Book

  • 34 easy-to-follow lesson plans for toddlers through primary-age children
  • lots of photographs
  • lots of puppet and felt-board patterns
  • movement activities and instrument playing
  • special instrument-making section

$38.50

 

 

Introduction
Index
About the Orff-Schulwerk
Sample cutout page
 INTRODUCTION

The Early Childhood Music Experience
Making it successful, Making it Joyful, Making it Musical

 

THE TEACHER:

  • Is animated, energetic, and enthusiastic.
  • Is happy to sit on the floor with the children and participate with them.

THE LESSONS:

  • Contain games and songs for solo singing (pitch matching).
  • Include both structured and unstructured movement activities and playing.
  • Contain active listening lessons, which incorporate movement, instrument playing, props, and other visuals.

THE CLASSROOM:

  • Is a music room, free from toys and other distractions.
  • If not a dedicated music room, has been arranged to provide the most possible space and the fewest distractions, with tables and other furniture moved aside.
  • Has a cabinet where the instruments are contained in baskets on shelves, out of sight until they are needed.
  • Has space for circle games and other movement activities.

THE INSTRUMENTS:

  • Are easy to play but are not toys.
  • Have the best possible tone quality as well as durability.
  • Are kept separate from toys, props, and other non-musical items.
  • Are abundant enough so that children can play the same small instruments at the same time.
  • Are introduced in musical and interesting ways. (See "Five Handsome Sailors" and "The Gingerbread Man" or "Happiness.")

THE PROPS:

  • Are lively and chosen because they teach the musical activity quickly and effectively. (See "The Cuckoo" or "Who's That Hatching?")
  • Are kept in a special bag or box or other container such as a suitcase, a bucket, or a picnic basket.
  • Include attractive, colorful, high-quality books, flannel board items, scarves, and puppets.

THE SONGS:

  • Are short.
  • Have a limited range.
  • Include repetition to aid in-tune singing.
  • Can be sung easily.
  • Will very soon be sung by the children without adult accompaniment.
  • Include solo singing parts and games but have parts for the group, too.
    (See "The Cuckoo", "Cuckoo Clock", "Eensy Weensy Spider", "Five Little Jack-O-Lanterns", "Rainbow 'Round Me" and "Who's That Hatching?")

THE TRANSITIONS:

  • Are musical. (They are songs, too.)
  • Focus on starting the class and keeping it going without lapses of time when children can become distracted or disruptive.
  • Help the teacher collect the instruments or props quickly and efficiently, with everyone helping.
  • Give directions that the children will learn to sing as they make a circle, sit down, and so on.

THE MUSIC MANNERS:

  • Teach respect for the music and the instruments.
  • Teach respect for the children who may be singing alone or playing a special instrumental part.
  • Enable the teacher to incorporate a very active approach so that even listening to a recording can be accomplished with movement, props, or small instrumental accompaniments.

 CONTENTS

 

4 Introduction
8 About The Orff-Schulwerk
Lessons:
10 Whether The Weather
Sunny And Warm
11 Hawaiian Rainbows
12 Mary Ann
13 Mister Sun
14 One In A Boat
15 Rainbow 'Round Me
16 Sally Go 'Round The Sun
Cool Autumn
17 Five Little Jack-O-Lanterns
18 Five Little Leaves
Windy Weather
19 Down The River
20 Five Handsome Sailors
21 The Wind Blew East
22 Windy Weather
Fog
23 One Misty: Moisty Morning
Wet And Rainy
24 Eensy Weensy Spider
25 Happiness
26 If All Of The Raindrops
27 It Rained A Mist
28 Ladybugs
29 Off To The River
30 Raindrops
31 Rhymes In The Rain
Stormy
32 The Ship Goes Sailing
Cold And Snowy
33 The Chubby Little Snowman
34 Five Little Jingle Bells
35 Five Little Snowmen
36 The Gingerbread Man
37 The North Wind Doth Blow
38 Snow (Yuki)
40 Warm Wendall
41 White Feathers
Springtime
42 The Cuckoo
43 Cuckoo Clock
44 Who's That Hatching?
45 Puppets And Visuals
59 Instrument-Making Fun
62 Related Products
64 About The Author

 ABOUT THE ORFF-SCHULWERK

Carl Orff, German composer and music educator (1895-1982), devised the basic musical texts for the Schulwerk with his associate, Gunild Keetman. These texts are models for teachers worldwide. In the Orff approach, children make music with activities that are natural and enjoyable for them: singing, rhyming, dancing, and playing instruments. The songs in this book have been selected or composed to follow the philosophical and practical aims of the Orff-Schulwerk. They are simple, short songs that relate to a child's world of fantasy and experience. Children can master them without special training. This learning process requires attentive listening, decision-making, concentration, cooperation, sensitivity to rhythm and tone, singing in tune, and playing with others in musical time. Above all, the songs are meant to be enjoyed.

Orff instruments are pitched percussion instruments that were fashioned by Carl Orff from African, Indonesian, and European models. Orff instruments include xylophones, metallophones, and glockenspiels in a number of voicings. They are bright, magical, and energetic and are perfectly suited to accompany, support, and guide young singers. Above all, they invite participation.

There are two terms related to the Orff instruments that are referred to throughout this book: PENTATONIC and BORDUN. These musical terms are defined as follows:

1. PENTATONIC refers to a five-tone scale, specifically the 1st, 2nd, 3rd, 5th, and 6th scale tones of the major scale. T o help ensure a child's success, tone bars not belonging to a particular pentatonic scale can be removed, as illustrated below.

2. BORDUN refers to an accompaniment played on the lowest sounding xylophones and metallophones. The bordun consists of the repetition of the 1st and 5th scale tones (also called DO and SO). A bordun is perfect for accompanying a pentatonic melody. The most common bordun is easy enough for a pre-school age child to play:

TEACHING SUGGESTIONS:

Encourage the children to walk around the Orff instruments (not over them); make sure they use two hands to remove the bars. Discuss the best ways to produce beautiful sounds from them with the mallets. Make sure all instruments, large or small, are brought out and put away with great care and respect; the teacher's example will be imitated by the children.


 

 

 


Lynn Kleiner Collection P.  1 2 3 4 

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